Abstract
A classic example of such a film is Alfred Hitchcock's "Trap" with montage
without connections and long shots. The production library has a wide range of
shooting styles, from wide-angle shots for general shots to narrow-angle shots for
close-ups. Wenger Miklos Dzhansko is another director who uses long panning
and zooming in much more than the traditional set of "cuts" with wide and wide
shots. His creative method creates a strong impression of being close up or far
away from the subject in one shot. Attention should be paid to the fact that a
certain part of the director's script can be taken in the same scenery and in the same
filming shifts.
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